Tag Archives: query

Dream Come True

5 Nov

oax 11

Two and a half years ago I sent out my first query letter for my novel, Lost in Oaxaca. Over the course of that time I’ve received more standard rejection emails than I can count (actually I did count them but I’m mortified to admit to you how many are clogging my inbox.) I experienced some lovely moments of hope after receiving a handful of requests from agents to read the full manuscript. Then I was over the moon when the head of a reputable New York literary agency said she was “this close” to adding me to her list. She ultimately chose to decline.

One agent said I’d written “a well-crafted novel” and gave me some helpful advice. Another said she loved the book but had no idea how to market me. I’m not famous. I have no brand. These days, traditional publishing relies so much on who the author is, or what she looks like—it’s no longer focused solely on the writing. I totally get it. What traditional agency would want to take a chance on a middle-aged piano teacher who has hardly published anything?

All hope is not lost, though. I didn’t spend five years of my life writing/editing a novel to give up that easily. I’ve decided to head in a different direction. Come hell or high water, this novel is getting published.

The exciting news is that Lost in Oaxaca was recently accepted by Spark Press Publications, a hybrid agency that selects its authors based solely on the quality of the writing. https://gosparkpress.com/about/.

I know your first thought is that this is merely a vanity press—that anyone with enough cash can get their work published, not matter how good (or bad) it is. After much research, I’ve learned that this is definitely not the case. While I do have to finance the publication, I don’t have to worry about navigating all the difficult details of publishing.  Those details most likely would have led to a mental breakdown had I decided to self-publish. Keeping my sanity is worth the cost.

I’m a late bloomer. I didn’t start writing seriously until I was in my early fifties. With a family and a full time job, I don’t have a heck of a lot of time left over to write, let alone market my novel. This might be my only chance, so I’m going for it.

Barring any unforeseen problems, Lost in Oaxaca should come out in sometime in 2020.

Watch for the movie version shortly after that.

A girl can dream, can’t she?

 

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Rejection

2 May

Voting and protest concept

I had no idea how hard this was going to be. Don’t get me wrong—I knew there would be rejection. I just didn’t realize how much rejection.

It’s been a year since I began searching to find representation for my novel, Lost in Oaxaca. The very first week I began the process of querying agents, I got a response from a well-known literary house in New York City. The woman who owned the agency emailed me back within a day. “I like this,” she wrote after reading the first chapter. “Send me the full manuscript as soon as possible.”

Well, that was easy, I gloated, expecting her to call me within a few weeks with an offer of representation. LOL. Or TTJTRWJ which means Time to join the real world, Jess. Eight months later, she finally emailed me back.

Dear Jessica,

I have had this for so long that it’s time for me to face up to the reality, which is that I like this but I don’t love it, and that’s why I keep putting it down and picking it up again.

I’m sorry to disappoint you, but I can’t represent something for which I have only moderate enthusiasm, and that is not something you should want either.

I feel it’s a little too romancey for my taste. The writing is good, but not spectacular. It’s a near miss, but one that I have to take seriously.

Good luck with this. Someone else might be interested, but I have concluded that I am not the right person for this.

Good, but not spectacular. A near miss. Ouch. Okay, so she didn’t love it. We all have different tastes. That’s to be expected. Someone else out there is bound to love it.

I keep a yellow legal notebook pad where I write down whom I’ve queried and the date I sent the email. When I receive a rejection, I write a big “NO” across the name. I have written “NO” forty-eight times. Really. Forty-eight times. I just counted.

I can tell that most of the rejections are form letters. I get it—sincerely, I do. Every day, these people are inundated with thousands of emails from hopeful authors like me—how can they possibly take time to respond with a personal note?

This is not to say I haven’t had some positive response. In the course of one year, I’ve had five agents request the full manuscript. After reading my novel they all graciously declined, but at least they asked to read it. I guess that’s something. Recently, I received the one and only rejection email where the agent (from another well-known New York literary agency) actually took the time to offer suggestions.

Dear Jessica,

Thank you for the opportunity to read Lost in Oaxaca. I enjoyed the detailed portraits of musical subcultures, family life, and travel experiences, and found your imagery quite engaging. I also appreciated the story’s diverse cast of characters and emphasis on inter-cultural engagement. However, this aspect of the story often felt forced and didactic. Characters like Camille’s mother felt too much like caricatures of xenophobia to be convincing, and Camille was often frustratingly naïve, in spite of her intelligence. In order to challenge readers, the story’s political aspects must be more challenging and complex. This manuscript was well-crafted, and I wish you the best of luck with it in the future.

Now, that’s concrete advice I can use. I took her suggestions to heart and have already re-worked parts of my manuscript. What I really appreciate is that she actually took the time to offer her expertise to someone she doesn’t know. That’s true professional courtesy. I think that when I do publish this damn book, I’m going to acknowledge this particular agent for being so thoughtful.

I have many good qualities but my best one is patience. Therefore, I AM NOT GIVING UP. I have sent out eighty-six queries and more than half have said NO. Some never responded. But I AM NOT GIVING UP. Some agent out there is bound to read my query and be intrigued enough to ask for the manuscript. Hopefully, that person will fall in love with my characters just as I have—and then I’ll get the phone call I’ve been waiting for.

And the rest will be herstory.

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