A few years back, someone asked me if I thought I’d ever write a novel some day. My first reaction was to laugh. At that time, I had just recently delved back into writing after a twenty-five year hiatus of not writing a single word (actually, hiatus sounds like I was once a prolific writer—I wasn’t—the best word to describe my attempts at writing in college would be that I “dabbled.”) Sure, writing short essays and a blog post now and then was feasible—but a novel? I couldn’t even fathom writing something that extensive.
I’m not ashamed to admit that my childhood dream was always to become a writer—I thought about it incessantly for years. I loved books so much—the smell of them; the texture of the paper between my fingertips; the way the words jumped out at me from the page; how I could easily lose myself in a story and experience someone’s life other than my own even if it was just for a short time. The library was my home away from home.
Being somewhat of an introvert, the solitary life of a writer has always appealed to me. As a young girl I created this elaborate fantasy in which I envisioned myself writing my literary masterpiece while tucked away in a cozy study with soft lighting and wall to wall bookshelves. While sitting quiet and alone at an antique desk, I would sip hot tea with honey while a blazing fire crackled in the fireplace. When I needed inspiration, I would glance up and look out through the French Doors onto my picturesque English garden where my flowers somehow managed to bloom year round. Oh—I almost forgot—in my fantasy there was always a gentle rain falling outside.
That perfect fantasy never really got off the ground—with a husband, four kids, four dogs and my mother, I’m never alone. I don’t have French Doors, I live in Southern California where it rarely rains and it’s usually too hot outside to light a fire in the fireplace. I prefer Starbucks coffee to hot tea and rarely go to the library anymore because I always forget to return the books and before I know it I’ve racked up over fifty dollars worth of late fees. I read most of my books on my Kindle and I don’t have an antique desk. I do my best writing while sitting on the couch.
But get this: I’m thirty-three chapters and almost 70,000 words into my first novel. BAM! That’s right—I am fifty two years old and for the first time in my life I’m doing what I always dreamed of doing—I am writing a novel.
Now, who knows? My novel may very well turn out to be trite, sentimental and cliché, but then again, it might turn out to be a really great read with a real plot and interesting and lovable characters. We’ll just have to wait and see. In the meantime, I’m carving out a little time every day in my busy schedule to sit down on my couch and get a paragraph or two written down, which more often than not gets deleted the following day (I mean, who in their right mind would write such crap?) No matter—one good sentence at a time and somehow the job gets done. And I’m having the time of my life.
Who needs fire, tea and rain to write a book? Not me.
This girl is done dabbling.
If you’re interested, here’s the description of my novel, Lost in Oaxaca:
Once a promising young concert pianist, Camille Childs retreated to her mother’s Santa Barbara estate after an injury to her hand destroyed her hopes for a musical career. She now leads a solitary life teaching piano, and she has a star student: Graciela, the daughter of her mother’s Mexican housekeeper. Camille has been grooming the young Graciela for the career that she herself lost out on, and now Graciela, newly turned eighteen, has just won the grand prize in a piano competition, which means she gets to perform with the LA Philharmonic. Camille is ecstatic; if she can’t play herself, at least as Graciela’s teacher, she will finally get the recognition she deserves.
But there are only two weeks left before the concert, and Graciela has disappeared—gone back to her family’s village in the mountains of Oaxaca, Mexico. Desperate to bring Graciela back in time for the concert, Camille goes after her, but on the way there, a bus accident leaves her without any of her possessions. Alone and unable to speak the language, Camille is befriended by Alejandro, a Zapotec man who lives in LA but is from the same village as Graciela. Despite a contentious first meeting, Alejandro helps Camille navigate the rugged terrain and unfamiliar culture of Oaxaca, allowing her the opportunity to view the world in a different light—and perhaps find love in the process.

Villa Hidalgo Yalalag, Oaxaca. This is where much of the novel takes place.
Tags: childhood fantasy, dabbling in writing, first novel, Mexico, Oaxaca, piano teacher, piano teaching, writing, writing a novel, writing desk, Yalalag